A fundamental quality of my work is the need for intensity, fullness and a complex variety of details in which I perceive a small independent world full of minor points of fascination. I have a whole collection of such points of fascination, which is constantly changing, and I attach multilayered interpretive significance to them. They include details in nature, car grills, railings, water, bicycles and many more. Each image should have a cohesive physical energy that carries a certain vision. It could also be something like a giant, larger-than-life cow wallowing in the mud in a corner of an overgrown garden (this is one of the nightmares that informs my work).